The Paleo-fantasy of a deep history to a sexual division of labor, often described as “Man the Hunter and Woman the Gatherer,” continues to dominate the literature. We see it used as the default hypothesis in anatomical and physiological reconstructions of the past as well as studies of modern people evoking evolutionary explanations. However, the idea of a strict sexual labor division in the Paleolithic is an assumption with little supporting evidence, which reflects a failure to question how modern gender roles color our reconstructions of the past. Here we present examples to support women's roles as hunters in the past as well as challenge oft-cited interpretations of the material culture. Such evidence includes stone tool function, diet, art, anatomy and paleopathology, and burials. By pulling together the current state of the archaeological evidence along with the modern human physiology presented in the accompanying paper (Ocobock and Lacy, this issue), we argue that not only are women well-suited to endurance activities like hunting, but there is little evidence to support that they were not hunting in the Paleolithic. Going forward, paleoanthropology should embrace the idea that all sexes contributed equally to life in the past, including via hunting activities.

The December AHR History Lab opens with another edition of the Art as Historical Method project, a series that moves around the world to examine historically situated works of contemporary art in museums, international expositions, and arts spaces. This Lab project explores the recent turn by contemporary art practitioners to history, research, and archives, and the ways in which such novel practices developed by visual artists might offer models for, and new forms of dialogue about, the work history does in the world.